1) Argh! Why can't you tell a semicolon from a colon? Why?!? Did your mother drop you as a child? What the hell?
2) I don't care if George Orwell started off every sentence with a conjunction. You are not Orwell. But you think you are. But you're not. And you need to stop. Before I kill you.
3) Sometimes even the most clever turn of phrase just does not have a point and should be cut. Like, say, this one. *snip* See how much better that is?
4) Don't italicize Wal-Mart. In fact, don't use Wal-Mart unless you're staging a major adventure scene there, somewhere between Electronics and Housewares. Oh wait, you're not? Okay. *snip* There. All better.
5) You know that saying, "a bridge too far?" Well, your version is "a phrase/clause too far." Please, for the love of Gertrude, just... stop.
2) I don't care if George Orwell started off every sentence with a conjunction. You are not Orwell. But you think you are. But you're not. And you need to stop. Before I kill you.
3) Sometimes even the most clever turn of phrase just does not have a point and should be cut. Like, say, this one. *snip* See how much better that is?
4) Don't italicize Wal-Mart. In fact, don't use Wal-Mart unless you're staging a major adventure scene there, somewhere between Electronics and Housewares. Oh wait, you're not? Okay. *snip* There. All better.
5) You know that saying, "a bridge too far?" Well, your version is "a phrase/clause too far." Please, for the love of Gertrude, just... stop.
no subject
Date: 2007-02-02 06:20 pm (UTC)From::)
I miss Tangency. :(
no subject
Date: 2007-02-02 06:35 pm (UTC)From:I also think UK/US English divergence is speeding up.
no subject
Date: 2007-02-02 06:37 pm (UTC)From:no subject
Date: 2007-02-02 07:13 pm (UTC)From:no subject
Date: 2007-02-02 07:38 pm (UTC)From:My favorite subheading was "The Semicolon is Not A 'Fancy Comma'."
no subject
Date: 2007-02-02 08:56 pm (UTC)From: (Anonymous):)
--Christopher McG.
Ever grateful to have Michelle as his editor.
My Prose! I must savzor it!
Date: 2007-02-02 10:26 pm (UTC)From:It's fine, see! It's all these 200 word vignettes! No edit! No edit!
no subject
Date: 2007-02-02 11:33 pm (UTC)From:no subject
Date: 2007-02-02 11:36 pm (UTC)From:As to the divergence.... hmm. I don't think it is, really. Unless by "speeding up" you mean during the last few decades as opposed to earlier.
no subject
Date: 2007-02-02 11:38 pm (UTC)From:no subject
Date: 2007-02-02 11:38 pm (UTC)From:no subject
Date: 2007-02-02 11:39 pm (UTC)From:no subject
Date: 2007-02-02 11:40 pm (UTC)From:Re: My Prose! I must savzor it!
Date: 2007-02-02 11:42 pm (UTC)From:"Editor! What is best in life!"
"To crush the words, to see the letters driven before you, and to hear the lamentations of the authors."
"That is good."
Re: My Prose! I must savzor it!
Date: 2007-02-02 11:59 pm (UTC)From:Cazmonster hides.
Re: My Prose! I must savzor it!
Date: 2007-02-03 12:17 am (UTC)From:no subject
Date: 2007-02-03 01:30 am (UTC)From:no subject
Date: 2007-02-03 01:46 am (UTC)From:There's also the take, of course, that you have to know the rules to know when to break them. Not everyone does.
As for British English vs. American style, there are definitely common usage differences, many of which American editors in particular aren't aware of. Unless you've had to edit for both or you read a lot of UK authors, it's easy to miss. Part of that whole US insular culture thing. If your book's primarily seeing a US release, though, it does make sense to skew your editing toward a style that's more familiar with the larger intended market. It's basically just a question of finding the right balance.
no subject
Date: 2007-02-03 02:08 am (UTC)From::)
Re: My Prose! I must savzor it!
Date: 2007-02-03 03:08 am (UTC)From:no subject
Date: 2007-02-03 07:32 am (UTC)From:I actually know better.