I've actually seen a couple of movies recently that I'd been meaning to see for a long time, but hadn't gotten around to it. I thought I'd review them here briefly just for the heck of it.
Moulin Rouge
I loved this film. I was pretty unsure about it going into it, but I was prepared to have an open mind. I had not watched it ten minutes before I was utterly hooked. Ewan McGregor's voice was utterly amazing... not that he was technically stunning, but his voice just rang like a bell. Kidman's performance was superb as well, and the two of them together were magic. I was awestruck, and I'm putting this on the list of DVDs to purchase. It won't be for everyone, but it was definitely for me. I give it five stars.
Dark Victory
For those who are not old movie aficianados, Dark Victory was a 1939 feature starring Bette Davis as a young socialite who is diagnosed with a terminal brain tumor. The movie deals with how she and those around her cope with that news and her eventual death. It's an all-star cast, from Davis in the lead to Humphrey Bogart as her Irish-brogued horse trainer to Ronald Reagan as a general friend and sloppy drunk (it's so amusing to see him in that role, too, hindsight being the moveable feast that it is). At this point Davis was well established as a star, and this is definitely for her. It was nominated for three Oscars, including Best Picture and Best Actress in a Leading Role. Upon viewing it, you can tell it was set in a different age of filmmaking altogether. She's diagnosed with "lyoma" and after her initial surgery, they discover that the tumor will surely kill her, although she'll suffer no further symptoms until she loses her eyesight right at the end. If I ever have to have cancer and die from it, this is how I want to go. The "movie medicine" was a jarring, if amusing, note for me, which kept me from really connecting with the film until the end. The script was a bit over the top for me in places, but then again it was written for the sensibilities of the 1939 movie audience. The performances were very good, though, and have largely held up over time. Bette does shine in the film and I was glad I'd seen it. It should be on your list to see if you're trying to round out your "history of film" repetoire. I give it 3 stars in general, 4 for having the good sense to cast Bogie and Davis together, no matter how odd the accents involved.
Moulin Rouge
I loved this film. I was pretty unsure about it going into it, but I was prepared to have an open mind. I had not watched it ten minutes before I was utterly hooked. Ewan McGregor's voice was utterly amazing... not that he was technically stunning, but his voice just rang like a bell. Kidman's performance was superb as well, and the two of them together were magic. I was awestruck, and I'm putting this on the list of DVDs to purchase. It won't be for everyone, but it was definitely for me. I give it five stars.
Dark Victory
For those who are not old movie aficianados, Dark Victory was a 1939 feature starring Bette Davis as a young socialite who is diagnosed with a terminal brain tumor. The movie deals with how she and those around her cope with that news and her eventual death. It's an all-star cast, from Davis in the lead to Humphrey Bogart as her Irish-brogued horse trainer to Ronald Reagan as a general friend and sloppy drunk (it's so amusing to see him in that role, too, hindsight being the moveable feast that it is). At this point Davis was well established as a star, and this is definitely for her. It was nominated for three Oscars, including Best Picture and Best Actress in a Leading Role. Upon viewing it, you can tell it was set in a different age of filmmaking altogether. She's diagnosed with "lyoma" and after her initial surgery, they discover that the tumor will surely kill her, although she'll suffer no further symptoms until she loses her eyesight right at the end. If I ever have to have cancer and die from it, this is how I want to go. The "movie medicine" was a jarring, if amusing, note for me, which kept me from really connecting with the film until the end. The script was a bit over the top for me in places, but then again it was written for the sensibilities of the 1939 movie audience. The performances were very good, though, and have largely held up over time. Bette does shine in the film and I was glad I'd seen it. It should be on your list to see if you're trying to round out your "history of film" repetoire. I give it 3 stars in general, 4 for having the good sense to cast Bogie and Davis together, no matter how odd the accents involved.